21st Century Symphony Manifesto

This craggy fantasy mountaintop enshrouded by wispy clouds looks like a bizarre landscape from Tolkien’s The Lord of the Rings. The NASA/ESA Hubble Space Telescope image, which is even more dramatic than fiction, captures the chaotic activity atop a pillar of gas and dust, three light-years tall, which is being eaten away by the brilliant light from nearby bright stars. The pillar is also being assaulted from within, as infant stars buried inside it fire off jets of gas that can be seen streaming from towering peaks. This turbulent cosmic pinnacle lies within a tempestuous stellar nursery called the Carina Nebula, located 7500 light-years away in the southern constellation of Carina. The image celebrates the 20th anniversary of Hubble's launch and deployment into an orbit around the Earth. Scorching radiation and fast winds (streams of charged particles) from super-hot newborn stars in the nebula are shaping and compressing the pillar, causing new stars to form within it. Streamers of hot ionised gas can be seen flowing off the ridges of the structure, and wispy veils of gas and dust, illuminated by starlight, float around its towering peaks. The denser parts of the pillar are resisting being eroded by radiation. Nestled inside this dense mountain are fledgling stars. Long streamers of gas can be seen shooting in opposite directions from the pedestal at the top of the image. Another pair of jets is visible at another peak near the centre of the image. These jets, (known as HH 901 and HH 902, respectively, are signposts for new star birth and are launched by swirling gas and dust discs around the young stars, which allow material to slowly accrete onto the stellar surfaces. Hubble’s Wide Field Camera 3 observed the pillar on 1-2 February 2010. The colours in this composite image correspond to the glow of oxygen (blue), hydrogen and nitrogen (green), and sulphur (red).

Artistic Assumptions

1.) The universe is a process

2.) This process is the ‘becoming’ of soul

3.) Human beings have one foot in the world of soul, but remain mostly in matter

4.) History moves in cycles, and time is accelerating these cycles

5.) Awareness of cycles, and consciously rejecting them, is how soul creates itself out of matter

6.) The purpose of writing is to reveal cycles, which are tragic, and to overcome tragedy through transcendent stories

7.) These stories must be grand in scope and theme, yet accessible

8.) Beauty is not an end. Beauty is a means.

9.) A story that is mostly ambiguous and weird without guiding intention is useless

10.) Archaic notions of God and soul must be revived for the 21st Century

11.) Notions of God cease to be archaic when they speak to history as a process of overcoming

12.) The material world of the 21st Century, by the end of our lifetimes, will be transformed into something entirely new, as it has for our grandparents

13.) This transformation is the slow climb of matter toward the world of soul

14.) This transformation is in human hands – all human beings are free to affirm cycles, or affirm faith in the great becoming

15.) Making art that is in dialogue with the becoming is a truly Human act, above the state of Animality. Animality exists mired in cycle without change

16.) Relativism, or a refusal to believe that history is a process of becoming, is of course entirely fine. But it will never be relevant and will only affirm depression and cycle.

17.) Postmodernism is a great fleeing. The next stage of history will be the great return.

18.) Life is suffering, and the choice to live in spite of this is inherently heroic

19.) That heroism is the core of all art

20.) That heroism, in itself, is enough reason to be

21.) The artist who affirms life, and the future of clarity rather than the present state of confusion, is a hero and a knight of faith